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Röyksopp: We are worse than our music |
From Tromsø in Norway, where the
long and dark winter nights rule, come Torbjørn Brundtland and Svein
Berge, and together they were one of the most exciting new bands to
emerge on the electronic scene last year. With their critical acclaimed
debut album “Melody A.M.” they have created a new sort of music that
consists of a mixture of ambient, lounge, funk, house, synth, classical
elements and film music. – Well you are on to something, Torbjørn tells
me; – I always say that the music speaks for itself. When it comes to us
as persons I think we are not as good as our music. We are worse than
our music, we are people who enjoy life and like beautiful things, we
don’t like hard physical work, and we love to be up at night, hence the
title of the album “Melody A.M.”
Listening to the music that Röksopp produces today, you can easily hear
the influences from the pioneers of electronic music. - Well it isn’t an
exciting story, explains Torbjørn; - I don’t really know how it began. I
remember listening to Kraftwerk when I was young, I was listening to the
B-side of “Autobahn” which was before they started making electro pop
and still was experimenting with sounds and these sounds freaked me out
and they scared me in a positive way. It was something I haven’t heard
before, before that I had only heard rock music. So this opened a new
world for me. When I was 12 years old I bought these maxi singles with
beat intros, and recorded these on tape and looped it, and then I played
some piano on top of that. One year later I met Svein and we just shared
interests basically. I remember back then how hard it was to get started
to make music. In the year 2002 you can basically download a program on
your parent’s computer and you can start producing music. Back then it
was more about hardware and I remember I looked at stars at night,
wishing that I could afford a sampler and somehow we managed that after
a while. Beforehand we used to go to shops and borrow stuff. When we had
our own stuff we really got going.
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Before the two of them became
Röksopp they were a part of the group Aedena Cycle. They released “The
Travelleres Dream” on the Apollo label back in 1995. - We stared with
ambient music; Torbjørn continues; - it comes really natural to make this
ambient stuff when you grow up in Tromsø, which has this dark period in
the winter. From there we got more involved in house music. I think after
we met girls, we wanted to be a little more funkier, so bassline and beats
came in. That is the background we have - The rhythmical aspect in house
music, where the bassline is the rhythm and the ambient where the basis is
the atmosphere. None of these are known for melodic stuff. So what we
wanted to do is to combine the two influences in Röksopp.
The live element of Röyksopp has brought them on tour with Orbital, Modjo,
Bassment Jaxx and Garbage. Torbjørn explains, - It is just us having a
good time and being energetic about what we do. Normally it’s just the two
of us, but sometimes we have other people with us on stage like a bass
player, but that differs. The live element is as equal enjoyable for us
playing with sounds in the studio.
With hits like “Eple” with its smooth and simple melody and the rhythmic
and catchy “Poor Leno”, which has been remixed by Sander Kleinenberg and
Silicone Soul, have placed them firmly on the music map. - We are at a
level now where we can choose what we want to do, Torbjørn emphasises: -
After this year we will know more on what we will focus on, we are still
trying out different things, the live thing, the remixing and producing
other artists. In order to have full impact you can’t do everything you
should focus on something. We don’t have the knowledge yet to really go on
focus on one thing, we are still looking.
Interview published: Clubbing Magazine # 3
Feb-Mar 2002
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Audio part
You can listen to an extra interview with
Röksopp
here.
The interview was done in the spring 2002.
Length: 19.15 min, mono 32kbps
Size: 4514Kb
Format: MP3
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Interview by: Christian Almind |
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