Clubbing Magazine


Wonky, wobbly, bassline-driven, trippy, melodic, nasty, gentle, deep, beautiful, rocking and primarily… 100% Lee Burridge! Lee Burridge is an inventive genius and manufacturer of great house music. This 3CD beauty is testament to that. Choca-full with the different elements of house music today, he fuses together the minimal to the techier acid-tinged numbers, the big room tracks and a few things you wouldn’t expect. “I always look on a mix CD project as a way of sharing, what is my opinion, good music with music freaks.” Says Lee, and this album truly embodies the very essence of what Lee is about. CD1 combines achingly beautiful orchestral deep house with sheer simplistic minimalism. This is definitely the more chilled of the 3 and you can play it at home pre or post club. The unashamed- Grandeur of tracks like Efdemin’s ‘Bergwein’ and Kollektive Turmstrasse’s ‘ Tristesse’ lulls you with its hypnotic rhythms and then pulls you out with Dettman/Kock’s ‘Dawning’. The first mix closes with Paul Daley’s rerub of Jose Padilla’s ‘Adios Ayer’ which you should play as loud as possible on the best speakers you can find. CD2 begins with Onur Ozer’s “Orion” which sweeps over you in only the way pure blissful electronic music can; close your eyes and listen to swooshy effects that are reminiscent of bees swarming past you – it’s surprisingly reassuring! This CD positively takes you on to the next level. You are there, in the club. It takes you on twists and turns especially with the Viewers ‘Blank Images’, whose scratchy synths wreak havoc with your mind. Closing with Martin Buttrich’s ‘Programmer’ it revs you up for the ensuing clubbier third mix. CD3 is bouncier than its predecessor’s. Driving, throbbing basslines reigns supreme with Luca Bacchetti’s ‘Rolling Brooklyn’. Strange and wonderful bleepy synths and scratching snare drums consume the sound space and then you realise you are already half way through the CD, your feet twitching with the beats. Alexi Delano & Xpansul’s ‘Antioxidation’ changes the tone of the mix to introduce Patrice Baumel – ‘Just Electricity’, which put simply sums up the entire album. Although all 3 CDs are different, there is a consistency, a fluidity that makes this release stand out. “I wanted to make them all work as stand alone CD’s but still all fit together like a club set. I truly feel there is a real journey if you play them one after the other” says Lee. This album really does compel repeated listening. Having featured the likes of James Holden, Chris Fortier, Desyn Masiello, Paolo Mojo and Luke Fair, Australia’s ‘Balance’ series have become an industry benchmark, to support its highly anticipated release, Lee will be embarking on a world tour . In a career that now spans two decades, Lee is a globally acclaimed DJ who regularly appears in DJ Mag’s Top 100 DJ list, and has rocked iconic festivals like Exit, Creamfields, Love Parade, Dance Valley, Ultra, Acafest and Coachella. He is an integral part Fabic, which is arguably one of the most pioneering clubs in the world. He’s commanded no less than four compilations and has thrown his own fun fuelled parties at the Miami Winter Music Conference for the last three years’ running. Lee’s Miami shindigs are what DJs go to when they have some free time and want to cause havoc. Lee is of course only to happy to oblige and you can expect more of the same at WMC 2008.
You're releasing Balance012, which is a three disc album what made you do it over three CDs? One whole extra CD of great music! It actually gave me a better opportunity to express myself in the way I like to play a club set. I really enjoy and actually play better when given more time as it allows me to tell the story slowly and with more detail. To make records make sense of each other and not just ram a bunch of hits into a mix. It depends if you would rather read the highlights or read the whole story.
	What are the differences between the three CDs? I thought long and hard about this package. It took me over two months to compile and mix the three discs.
	CD1 - I've wanted to put together a collection of music that I find beauty within. Music made with passion, warmth and with a slight melancholic feel to each track. There are so many multi disc mixes with the standard 'ambient chill out' disc' that I wanted to try and make something that was very nice to listen to but not an ambient mix.
	CD2 - This was the disc I was struggling with right up until the last week. I went in with the intention of making this a collection of druggy house music and minimal techno and it actually ended up being quite a ride with more ups and downs than I'd set out to make. The mix twists and turns and chugs and bumps along and really is pretty much the closest I've come to capturing what I do in a club since the Tyrant CD's. There are so many layers to these tracks and I feel this mix will open up over time to anyone who gives it a chance. It represents the part of the night that you get lost in and have no real idea what happened.
	CD3 - Ahh..the consummate rocking CD. One always feels under pressure to put a more 'rocking' CD on a mix. This is it. Again I wanted to try and do something a little different so I set out this mix as a continuation of the previous 2 discs. It starts out in a much bolder way than anything I've done previously. It's tough and drummy (my new word I've been using!) for a long time before letting you off for a moment then back to drummy! it's music for fucked up people.
These are the best mix CD's I've made since Craig Richards and I made Tyrant and I'm really happy with all three. What are some of the biggest lessons you've learnt while being a DJ? That I’m no more important than anyone else just lucky to have fallen into this life and that a sense of humour goes a long way especially as I was an ugly child! What's been the best party you've DJed at? I have a few but I played in Brazil at a club called Warung a while back which was out of this world and also every time I go to Romania it blows my mind. What's your preference - playing at festivals or clubs? Clubs for sure. They have a much more intimate vibe. What advice would you give to upcoming DJs? Sleep your way to the top. I did.
You produced a track with Steve Porter called Raw Dog which had great success this year on your own label Almost Anonymous. Quite a quirky name for a track, is there a story behind it? And have you got anymore productions / remixes in the pipeline? I right down names and sayings that amuse me and I was in a bar and some guy was talking about how he had sex with some girl ‘raw dog’ which is without a condom if I remember correctly. It made me laugh and I thought at the time it would make a funny track title for a techno track. I’ve almost finished a new track called ‘Finders Keeper losers Weepers’ which I hope to put out by the end of the year. I’ve chilled on producing again as I’ve been working on the Balance CD and haven’t been anywhere long enough to work on music this year.
Is there any new technology that you're currently embracing? I'm really liking the Pacemaker which is soon to be released. It's going to make DJ'ing at after parties and in rough terrain so much easier. Check it out!
Throughout your career, you have had many great projects. What ones are you most proud of? My 365 project of the last few years really taught me a lot more about the people and the cities I visited and set up shop in. I loved the slower pace of the project and the fact I got off my arse and wrote some music with various talented producers was a bonus. I'm actually proud of Tyrant to this day. Craig is a very talented man and being involved with him and Tyrant pushed me into the public consciousness in a way that probably wouldn't have happened that quickly, if at all. Our mix CD's still to this day get talked about in an amazing way and I think we really expanded peoples musical tastes back then. And my Balance mix is, I feel, the best thing I've done since then and so I'm really proud of it too.
You have a massive tour coming up, where is it going to take you and what are you most looking forward to / worried about? I think it would be quicker to list the countries I’m not going to. The tour is a world tour and will take me initially to Australia and every where in the USA then back to Europe for December and January and then off to Asia and South America early next year. Ouch! I’m looking forward to seeing a lot of friends I’ve not seen for a year or so but am worried I’ll see them for about ten minutes as the tour is pretty hectic. I’m looking forward to playing with Craig Richards again in Mexico as we are also doing some Tyrant nights together again.
	Which producers are you exited about at the moment? Some guys out of Detroit called Seth Troxler and Lee Curtis.
	Were you aware of the Balance series and those who had come before you? Am I not the first? Hahaha of course. Balance really has been building it’s reputation over the last few years and I feel really happy to be invited to be a part of it. I love the fact that they’ve given a platform to DJ’s who at the time weren’t as well known as they are now. They trusted their own taste in DJ’s and the music they play and not taken obvious picks. I really see this series growing and growing and not only giving old farts like me a second chance but also opening the doors for more new names to emerge (I’m not really an ‘old fart’ I’m more of a middle aged one).
	Anything else you would like to add?? Buy my CD or I'll bitch slap you.
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